Taiwan’s annual Golden Horse Awards kicked off Saturday with a Hong Kong drama receiving the most nominations for the Asian equivalent of the Academy Awards.
The Golden Horse Awards, which began in 1962, is considered one of the most prestigious awards for Chinese-language films.
This year, the Hong Kong film “Drifting”, which is based on a 2012 court case involving homeless people in the working neighborhood of Sham Shui Po, received 12 nominations including for Best Director, Best Leading Actor and Best Cinematography.
Two Taiwanese movies, titled “The Soul,” “The Falls” and “Till We Meet Again Taiwanese Movie” received 11 nominations each.
“The Falls” won Best Original Screenplay, while “Drifting” won Best Adapted Screenplay.
“Revolution of Our Times,” a documentary about the Hong Kong political unrest in 2019 by Hong Kong director Kiwi Chow, won Best Documentary Feature.
The film was a controversial topic in Hong Kong and Chow was accused of flouting coronavirus rules after authorities raided a private screening of the documentary in Hong Kong. Under Hong Kong laws, private gatherings are not limited by coronavirus restrictions.
Chow has since sold the copyright of the documentary to a European distributor and disposed of all his footage, in light of risks from a sweeping national security law implemented in the city following the political unrest.
The Golden Horse Awards took place at the National Dr. Sun Yat-sen Memorial Hall in Taipei, with Singaporean actor Mark Lee and Chinese-American actress Bai Ling presenting awards.
This year, a total of 573 entries were submitted to the Golden Horse Awards, up from 465 last year.
Till We Meet Again Movie starring Kai Ko, for summer release
Taiwanese director Giddens Ko is reuniting with actor Kai Ko in a new whimsical romance, Till We Meet Again Movie Online, which is being positioned as a summer blockbuster by producer-distributor Machi Xcelsior Studios.
The film also stars popular actresses Vivian Sung (Our Times) and Gingle Wang (Detention). Kai Ko starred in Giddens Ko’s You Are The Apple Of My Eye, which was a huge hit in Taiwan and across the region in 2011.
Till We Meet Again is adapted by Ko, a novelist-turned-director, from one of his best-selling books God Of Love, written under the pseudonym Nine Knives.
The story follows a young man who, after being struck dead by lightning, takes on the odd job as a matchmaking god to tie men and women together with red strings, while trying to retrieve the lost memory of his previous life.
The project is financed as a rare Taiwan-Korea co-production, with Machi Xcelsior as a main investor, along with Taiwanese production companies Third Man Entertainment, Fist of Fear and Harvest 9 Road Entertainment, and South Korea’s Hive Filmworks.
“This ambitious project is one of the largest-scale fantasy adventure films – it blends romance with traditional Taiwanese folktales and Giddens Ko’s idea of the underworld,” said Machi Xcelsior Studios CEO Lu Wei-Chun, who was previously sales director for 20th Century Fox’s Taiwan office.
“We have deep faith in the director and believe that he can present a unique story with distinctive visual that can intrigue the international audiences.”
Till We Meet Again is the third film directed by Giddens Ko following You Are The Apple Of My Eye and 2017 release Mon Mon Mon Monsters.
Machi is handling international sales on the film, which is its first production. The company was founded in 2018 by singer-turned-film producer Jeffrey Huang, who was also an investor in Wei Te-Sheng’s historical epic Warriors Of The Rainbow: Seediq Bale (2011).
After Huang’s Taipei-based company acquired the film rights to God Of Love around March 2019, production began in mid-December and post-production started right away after filming wrapped in February last year. The film is still in post-production because it is heavy on VFX.
Machi is also a distributor of Taiwanese films, handling titles released this year such as mystery thriller Plurality and zombie horror Sadness, as well as last year’s horror hit Rope Curse 2, all of which it either fully financed or co-financed.